Cognitive Effects of Music and Dance Training in Children
1 other identifier
interventional
75
0 countries
N/A
Brief Summary
The study used a randomized controlled trial to test the efficacy of two interventions (dance and musical training) for typically developing children. Interventions were run for three weeks in local community locations. Participants were tested before and after the intervention on a battery of cognitive and behavioural measures. They were compared across groups, and to a control group who do not receive the intervention. The purpose of the current study was to assess the influence of dance and musical training on cognitive development. Research has indicated that musical training is associated with improve cognitive functioning, although the direction of such an association is unclear. Further, it is uncertain whether any benefits are specific to musical training or can also be demonstrated with other training activities. The current study used a randomized controlled trial to assess the causal effects of dance and musical training.
Trial Health
Trial Health Score
Automated assessment based on enrollment pace, timeline, and geographic reach
participants targeted
Target at P50-P75 for not_applicable
Started Jan 2012
Typical duration for not_applicable
Health score is calculated from publicly available data and should be used for screening purposes only.
Trial Relationships
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Study Timeline
Key milestones and dates
Study Start
First participant enrolled
January 1, 2012
CompletedPrimary Completion
Last participant's last visit for primary outcome
November 30, 2013
CompletedStudy Completion
Last participant's last visit for all outcomes
November 30, 2013
CompletedFirst Submitted
Initial submission to the registry
May 6, 2017
CompletedFirst Posted
Study publicly available on registry
May 19, 2017
CompletedMay 19, 2017
May 1, 2017
1.9 years
May 6, 2017
May 17, 2017
Conditions
Outcome Measures
Primary Outcomes (6)
Change in visuospatial working memory
Self-ordered pointing task (Cragg \& Nation, 2007)
Before and after intervention (3 weeks gap)
Change in interference control on flanker
Flanker task (Bunge, Dudukovic, Thomason, Vaidya, \& Gabriela, 2002)
Before and after intervention (3 weeks gap)
Change in color-shape task switching
color-shape task (Wiseheart, Viswanathan, \& Bialystok, 2015)
Before and after intervention (3 weeks gap)
Change in verbal working memory
Digit span (Weschler, 2008)
Before and after intervention (3 weeks gap)
Change in interference control on Stroop
Stroop task (Cepeda, Blackwell, \& Munakata, 2013)
Before and after intervention (3 weeks gap)
Change in quantity-identity task switching
quantity-identity task (Cepeda, Cepeda, \& Kramer, 2000)
Before and after intervention (3 weeks gap)
Secondary Outcomes (5)
Change in processing speed using box completion
Before and after intervention (3 weeks gap)
Change in Non-verbal intelligence
Before and after intervention (3 weeks gap)
Change in Receptive vocabulary
Before and after intervention (3 weeks gap)
Change in processing speed using digit symbol
Before and after intervention (3 weeks gap)
Change in processing speed using symbol copy
Before and after intervention (3 weeks gap)
Study Arms (3)
Music Training
EXPERIMENTALMusic Training
Dance Training
ACTIVE COMPARATORDance Training
Passive control group
NO INTERVENTIONPassive control group
Interventions
Training curriculums were developed using guidelines set by the Ontario Ministry of Education (The Ontario Curriculum, 2009) for teaching music to grades 1 to 3. Music was delineated into duration, pitch, dynamics and other expressive controls, timbre, texture/harmony, and form. training included direct instruction and group activities. All training programs had the same structure: a warm-up period, following by instruction from a teacher, and then group activities to practically demonstrate the concepts learned. Both programs involved working towards a variety of ensembles.
As with music training, dance was operationally defined by fundamental concepts for the art form, namely elements for body, space, time, energy, and relationship. The intervention involved both individual and group activities, with a combination of instruction and practical activities, and preparation for a final performance.
Eligibility Criteria
You may qualify if:
- Monolingual
You may not qualify if:
- Developmental delays or learning disabilities
- Previous arts training (in dance, drama, or music)
Contact the study team to confirm eligibility.
Sponsors & Collaborators
- York Universitylead
Study Design
- Study Type
- interventional
- Phase
- not applicable
- Allocation
- RANDOMIZED
- Masking
- TRIPLE
- Who Masked
- PARTICIPANT, CARE PROVIDER, OUTCOMES ASSESSOR
- Masking Details
- Although the type of intervention provided was explicit (dance or music), participants, intervention providers, and outcomes assessors were not aware of the study hypotheses or predicted effects for each intervention. Hence they did not know whether they were in a treatment or control group.
- Purpose
- BASIC SCIENCE
- Intervention Model
- PARALLEL
- Sponsor Type
- OTHER
- Responsible Party
- PRINCIPAL INVESTIGATOR
- PI Title
- Associate Professor
Study Record Dates
First Submitted
May 6, 2017
First Posted
May 19, 2017
Study Start
January 1, 2012
Primary Completion
November 30, 2013
Study Completion
November 30, 2013
Last Updated
May 19, 2017
Record last verified: 2017-05